But there’s no real discussion of America or why it is good – it’s a Hollywood blockbuster. naval aviators, and it’s assumed that their mission is a just one. If the film’s box office take had entered the danger zone, it’s easy to imagine the same culture warriors pointing to that diversity as the reason. But this isn’t really interrogated - it’s a Hollywood blockbuster. Is the film “anti-woke”? The cast is significantly more diverse than in the original film, with a female naval aviator effectively serving as the next-generation Tom Cruise character. If you like well-executed films, fast planes doing cool things, dad vibes, and the theatrical experience, I’d recommend seeing it on the biggest screen possible. I was one of the millions of Americans who saw and enjoyed Top Gun: Maverick over the weekend. (I did not personally enjoy any of those films for reasons unrelated to whatever Nolte is talking about.) By Nolte’s logic, Americans love “shrill Womyn’s Studies lectures,” though I think it’s more likely that they just love Star Wars films.
15, and all three had bigger opening weekends, according to Box Office Mojo.
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Breitbart’s John Nolte compared Top Gun: Maverick favorably to the Star Wars sequels, writing that the film “didn’t do what Star Wars did and pervert a romantic-adventure series into a shrill Womyn’s Studies lecture.” But Top Gun: Maverick is likely to finish with a much smaller audience than those films: The Force Awakens currently holds the all-time domestic box office record, the other two films in the sequel trilogy come in at No. The right seems to think “wokeness” matters for audiences whenever it is useful for their argument. They’re all about an empty virtue signal for those that make them.” It’s unabashedly patriotic.” Outnumbered co-host Tomi Lahren responded to a quote from the Breitbart piece with “Amen,” adding, “Can we please bring back good movies like this, because the movies that we have had the last couple of years have not been great they’ve been woke. On Fox & Friends, guest co-host Rachel Campos-Duffy said the film’s success is because “they didn’t wokeify it. Breitbart’s headline was “Masculine, pro-American ‘Top Gun: Maverick’ blasts to $146M opening, towers over woke flops.” went with “‘Top Gun: Maverick’ soars on pro-America, woke-free message.” At the Daily Caller, it was “‘Top Gun: Maverick’ crushes the box office as Americans crave non-woke content.”īy Monday, these arguments had moved from the right-wing digital space to Fox News. The right-wing content mills have all tossed out versions of the same point. Their implicit argument is that films that don’t share their political views shouldn’t be made in the first place. But right-wing culture warriors saw the Tom Cruise vehicle as a nail, whipped out their hammer, and declared that its success is due to its supposedly “anti-woke,” “pro-America” politics.
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A simple but logical explanation for this large audience would be that it is a well-made, critically acclaimed sequel to a beloved property that stars a major movie star flying fighter jets and opened on a holiday weekend opposite no competition. But that machine doesn’t only concoct culture war defeats to rail against - its cogs also need to identify successes.Įnter Top Gun: Maverick, which broke Memorial Day box office records with a $156 million gross over the four-day weekend.
Right-wing culture warriors are constantly finding new things to get mad about, turn into content, and, if possible, monetize - from the supposed cancellation of Dr.
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